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Cutting board to a bowl or vase technique

Making a bowl or vase from a cutting board technique

Here is a fun project that is similar in many ways to the cookie method only easier and simpler. This particular method has a very high ‘ou aha’ factor with not any real high degree of difficulty and really looks great. Also it has may variations and twists and turns to keep your work original and dynamic.

It difers from the cookie method in that it is simpler. You do not need to angle your rings to make one bowl from one cookie, rather you can make lots of material and create and harvest as many rings as you wish to get the forms and shapes you want.

The down side of this method is end grain. Yes, unfortunately you will be turning end grain with this process, but there are some woods that lend themselves to this better than others so pick your material with that in mind.

The making of the cutting boards is basic so in a picture here is the process.

Cut lots of material same width and length

Glue it up and make a cutting board, or many of them. They will become your material.

Mark them up with the sizes of your rings making sure to leave enough room for the blade width.

Mount your rings to a backing board of MDF attached to a face plate. The backing board will help reduce the blow out when your tool goes through the back side of the material.

to insure accuracy Make sure your potential wall thickness is adequate.

Get funky with the alignment of the stacking and glue it up in two’s and then on the lathe


Simple, easy to work with and no math, my kind of project.
Enjoy, Steve

If you give a turner a cookie…..




Making a bowl from a cookie

If you give a moose or a mouse a cookie or a muffin he may just want to turn it into a bowl. It has been too long since my last posting but I promise to make this one worth your while. If you like the salad bowls below and have only scrap wood around you, this is the perfect project. It takes a while but it is tons of fun and will push your skills. This can be done with a single board (which I recommend for practice) but segmentation allows you to avoid end grain turning and gives you and endless number of combinations in color pattern and style (which is where most of the creative fun is).

So if you like these Cheery and Walnut bowls, lets get started.

Things you will need:

Screw clamps (can be ordered at Grangers, pack of 10 for cheep)

Different colored material in uniform width and depth (length is not important but that you have enough is).

A very thick pasty glue, not a thinner extended set up time glue.

Varying sizes of hole saws (not absolutely necessary but speeds things up).

Must have a face mask, full shield, absolutely.

Large jaw chuck 4 to 6 inch

Face plates for each cookie

OK, so let’s get started

The shape is somewhat pre-determined on this project. You are making salad bowls and the angle of the bowl height is predetermined as you will see later. What you can determine is the pattern and look of possible bowls. You do this by deciding what pattern to make the cookies. The objective is to make cookies out of segmented pieces of wood that then will be used in combination to make bowls. So we begin with making cookies like those below.

Remember you have 360 degrees to work with so count with care. See in the pic my cut list on the vertical board. For example one cookie may consist of 9 slices of 10 degree pie and 9 slices of 30 degree pie as the one closest to you in the pic above. The 10 degree pieces are made up of 2 five degree cuts to get the 10 degrees and likewise 2 fifteen degree cuts to get the 30 degrees. So 9X10 is 90 plus 9X30 is 270 gives you the 360 needed to make the circle. I have used many combinations of degrees to get my 360 including non uniform random patterns (applying the fibinachy sequence here can be fun for all you math heads). The cookie on the far right is of scrap. Always make an extra one of scrap to take to the next step first. Better to practice on it first. If it makes it all the way through the process you can give it to your mother in law, she will love you for it.

Making a 360 perfect is always problematic if not completely unattainable. All I can say is make your miter cuts as accurate as possible weather you use chop saw or table saw. Keep this in mind, the tighter and cleaner your joins the less wood will be flying around the room when you turn (full face shield is a must). Also remember that excessive clamping will not make up for bad joinery, just because you squeeze does not mean they are tight. One way to insure this is to do the half ring program. Make your cookies a half ring at a time so that the slop (the less than 180 or the more than 180) end up in the middle with a nail or round dowel rod to pivot on. Then sand or cut off to a proper 180 middle, then glue up the half’s into a whole. I use this a lot when the pattern will allow. As you can see from the above some of these patterns would not because the number of degrees did not allow for 180 (in other words, there is no middle point that cuts the cookie in half). Also when you trim the middle you lose conformity with the other cookies you might not trim in the exact same way. This will bite you in the ass later when you swap out some cookie rings for other cookies rings but more on that later. For now just know that the more they are similar with each segment uniform not only to the other segments in the cookie but each cookie similar to the other cookies, the more they will look like you actually knew what you were doing when you made them (which is nice but not required, remember you can always go the random route which hides a multitude of sin).

The next step is mounting the cookies to the lathe. Actually simple and straight forward first we mount a block of MDF to a face plate (honestly the MDF never leaves my face plates. I glue more on as I use it and turn it off) and then mount the face plate to the cookie. This allows us to get it on the lathe to clean up the other side of the cookie and mount the bowl bottom which will double as the mounting block for our chuck and triple as the center of the hub of the interior of the bowl and provide a forth benefit of keeping the bowl bottom from shifting around in time by being glued to 5 to 6 inches of stable material.

Above are the cookies being readied with the walnut bottoms on hand prepared with a hole saw.We mount these face plates to prepare the other side on the lathe to except the walnut bottoms. It is vital that the entire surface be scraped and sanded flat. Use a straight edge to help. I use the sanding block made of Formica counter top. This is your only chance to make the bottoms of the rings you will harvest later flat. If they are not flat they will not sit properly on one another later in the process.

Now we are ready to mount the bottom by first cutting a uniform hole to accept our tendon which we will make in a portion of the walnut bottom. The uniform hole can be done with a hole saw as shown.

Now we are ready to make our walnut bottoms with its tendon

As the pic says, I hope you are wearing eye protection. Using a hole saw I start the process and make a tendon that fits the hole in the cookie precisely. Remember that any slop in this fit will be very evident and visible in the bottom of the bowl.

Now we are ready to mount to the cookie and cut away the MDF and face plate

Removing the face plate we can then prepare what will be the interior of the bowl by scraping and sanding perfectly flat and smooth the face plate side of the cookie. Again much care needs to be taken to make sure it is flat or it will show up when you try to put another ring on top of it.

The above is the goal, to have the bottom used as a mounting block for the chuck so that we can begin harvesting rings by parting them from the interior of the bowl.

Here we have a cookie, mounted in the chuck, the tendon of the bottom seen in the center of the cookie. Looks like a nice fit. Now the parting tool. Lots of parting with this project. Here is where the face shield is an absolute. You can not know if every joint is tight, so wear it. The idea here is to harvest rings that will fit on top of each other because they are cut on the bias or angle. Set a 45 degree angle on the tool rest to make sure your cut is consistent. Less than 45 and you will get into trouble with wall thickness. Allow yourself at least half an inch or more in the distance between rings, which will be your wall thickness before you turn. You will need all the room you can get to fudge the patterns to make them look good and consistent in the final product so thickness now will pay off later, but not to thick or you will be making a plate not a bowl, right?

A quick word about parting. Wear your face shield. I use at lease two parting tools. One used for cutting the other in water cooling. This process generates a lot of heat. Don’t let your tools over heat, also keep them sharp. The sharper your tools are the less you will have a problem with heat. Watch constantly for bad joints and pieces that want to spin off (bad joints can be treated with super glue on the spot). Most of the time bad joins will reveal themselves more through the sound of the turning than sight. Turn slow, 500 to 900 tops. At this point you also have another alternative for cutting and harvesting rings, namely the band saw. You can if you choose put your band saw bed at a 45 degree angle and cut your rings that way instead of on the lathe. Of course you will have the entry scar from where you entered the particular ring but with gluing that can be dealt with. It is a much safer, easier way to handle it although you will have the glue line from entry. Some have dealt with the glue line by cutting the rings off the half circle or half cookie which is another way of doing it, however I find it difficult to glue together two half’s of a ring that has a 45 degree surface and it makes making the surfaces perfectly smooth and flat problematic. I have used both ways and both have worked, still there are many ways to accomplish the same result; this is just the one that I currently feel the most comfortable with.

So here is what we are looking for, rings at a 45 degree so that the bottoms will fit on the top of the previous ring.

Off the lathe they should look like this

Stacked properly they should begin to take your salad bowl shape

Now this is where the fun really begins.

What would happen if……

… we swapped rings?

Played with each combination?

What might happen?

Well for one thing you would have a blast, but remember you can only swap if you have been very attentive to each angle being 45 degrees and each cookie the same diameter and each ring in that cookie the same interior and exterior diameter and thickness both on the bottom and top. It is a lot to keep track of but here is where is pays off, complex patterns that are simple to form. And what is the down side? What if you mess up a bowl different from the rest? Still you can rotate the patterns of the same cookie and they will fit to get a great look or try a random look. Worst case you can always give it to your mother in law, right?

The turning from here is pretty basic. After just make a jig to flip and finish the bottoms away from the chuck mount look and more into the bowl bottom look, sign and date always even if it is a sharpie. Your kids will appreciate it.

The pics below are how my 6 turned out. Notice that with close inspection the patterns are not perfect but merely close. The practice bowl never made it to finishing. It is in more pieces than I care to mention scattered across my shop floor the victim of bad joinery.

Having fun on

My Grandfathers Lathe

Steve

here are some additional pics for your perusal



here are even more pics for your perusal





Oh, by the way I found this glass inside this vase during the turn. The scrapes and waste of this style are almost more fun to play with than the original concept.

Making these plywood designs



Creating these designs is probably the most difficult wood work I have ever done. It is not in the turning but creating the material. I might spend 8 to 10 hours creating material that takes 30 minutes to turn. Consistency is also a large problem along with minimizing cumulative error in the material. Glue up jigs are a must to keep the glue up from sliding and moving on the triangular matterial.

Running 8 inches of material through 4 inches of table saw blade is a scary proposition. So heads up, if you go down this path you need to be extra carefull. Be sure and count the # of fingers you have before you start. After, if the number is in any way different be sure and tell your wife she was right. An easir solution would be a 12 inch table saw but who can afford that, right?

The problem lies in cutting on the bias. A 45 degree is nice, less is better. A 30 gives you a bigger ‘eye ball’ so to speak as the vessel on the right vs the 45 degree bias on the left. You can see this in the material next to each which are the scraps of the original material.

These vessels are created with 4 pieces with 2, 45 degree cuts each. Allowing the 4 piece construction is trickier to get perfect seams and connections perfect (which gives you the most dramatic look) but the longer slices of the pie make the slopes and curves more dramatic. Of course because you are turning a quarter of the round by the time you come to the end you are into end grain, augh as can be see in this close up. But using a more end grain sensitive matterial (unlike this walnut) can get you the best of both worlds as with the butternut. The benifits with the 4 piece construction are well worth it. the design as the pieces come together is the ‘big wow’ you are looking for. You can get the owl eye look or LA freeway look and and combination thereof depending on how you align the joining ends. It requires experimentation for sure. I often was suprised with what waited for me inside the wood by way of design.
Try it and see if you can have as much fun as I have.
Steve

 

One thing leads to another




My last posting we talked about some experiments with plywood. Honestly I was not impressed with the results but as in all things one idea takes you to the next thing. In this case it was laminates with segmentation which can be applied is so many ways with so many different variations that the combinations are limited only by your imagination.

Here are some pic’s of where this has taken me.
After i will describe in more detail how to achieve these results so if you like what you see keep reading.

Oats Design, Staves on the bias

This vase is a good example of the OAT’s construction

It is koa wood from Kauiai with maple highlights and a curly maple top and bottom.

It was made by one of my best friends, Timothy my 19 year old son who just got back from Haiti with me and goes to UnityCollege in Maine. It is one of his Mom’s favorite pieces. Stands approximately 12 inch tall.

I came upon the OATS design through George Guadiane who can be found at   TurnedByGeorge.com

 

 

Oats use with plywood on the bias.


Here is the result of the plywood OATS construction with the plywood presented on the bias or end grain view. The walnut turns a rich black when exposed to the blue dye. The plywood veneers are facing out out giving it a race track look.
The use of Dye’s is not preferable wanting to keep things natural and all but with the plywood it helps with the desired effect.

 

Oats plywood with Walnut




Another dumpster plywood creation is this similar vase. The orientation of the plywood is different however and I have yet to put the dye on.
As you can see the orientation of the plywood makes 3 different vases with entirely different looks.
One horizontal gives the wavy gravy look, next the concentric circle look as the plywood is oriented vertically with the plywood finish facing out and finally the vertical orientation with the interior of the plywood facing out giving it a ‘many lines ‘ look.
Will post pics of the last after finish and dye.
Steve

Oats with walnut and plywood



Still having fun playing with plywood from the dumpster.
For the first time ever I am experimenting with wood dye. As you can see here I went with red dye in order to accent the layered look of the plywood. This was imspired by some of the work of Stephen Gleasner (He has a website and works with Plywood sculpting). The dye has a way of bringing out the layered look and also every imperfection in the wood.

Here is the result of the plywood OATS construction with the plywood presented on the bias but side view giving it a wavy, layered look.